Robert Culp

Robert Culp was born in 1930 in Oakland, California.   He made his mark on television with the hit series “I Spy”.   He hade a number of feature films including “Bob and Carol, Ted and Alice”, “Hannie Caulder” and “The Pelican Brief”.   Robert Culp was at one time ,married to the exquisite actress France Nuyen.   He died in 2010 at the age of 79.

Gary Brumburgh’s entry:

Tall, slim and exceedingly good-looking American leading man Robert Culp, a former cartoonist in his teen years, appeared off-Broadway in the 1950s before settling into polished, clean-cut film leads and “other man” supports a decade later. Hitting the popular TV boards in the hip, racially ground-breaking espionage program I Spy (1965), he made a slick (but never smarmy), sardonic name for himself during his over five-decade career with his sly humor, casual banter and tongue-and-cheek sexiness. Though he had the requisite looks and smooth, manly appeal (not to mention acting talent) for superstardom, a cool but cynical and somewhat detached persona may have prevented him from attaining it full-out.

He was born Robert Martin Culp on August 16, 1930, in Oakland California. The son of attorney Crozie Culp and his wife, Bethel Collins, who was employed at a Berkeley chemical company, he offset his only-child loneliness by playacting in local theater productions. Culp also showed a talent for art while young and earned money as a cartoonist for Bay Area magazines and newspapers in high school, but the fascination with becoming an actor proved much stronger. He attended Berkeley High School and graduated in 1947. The athletically-inclined Culp dominated at track and field events and, as a result, earned athletic scholarships to six different universities. He selected the relatively minor College of the Pacific in Stockton, California primarily because of its active theater department. Transferring to various other colleges of higher learning (including San Francisco State in 1949), he never earned a degree. After performing in some theatre in the San Francisco area, he moved to Seattle and then New York in 1951.

Studying under famed teacher Herbert Berghof and supporting himself during this time teaching speech and phonetics, Bob eventually found work on the theatre scene, making his 1963 Broadway debut (as Robert M. Culp) in “The Prescott Proposals” with Katharine Cornell. He eventually returned to Broadway with “Diary of a Scoundrel” starring Blanche Yurka and Roddy McDowall in 1956 and with a strong role in “A Clearing in the Woods” (alongside Kim Stanley) a year later. He earned an off-Broadway Obie Award for his very fine work in “He Who Gets Slapped” in 1956, and also appeared in the plays “Daily Life” and “Easter”.

Gracing a few live-TV dramas during his New York days, he returned to his native California for his first major TV role. It was an auspicious one as post-Civil War Texas Ranger “Hoby Gilman” in the western series Trackdown (1957). He earned widespread attention in the series that based many of its stories from actual Texas Ranger files, and the show itself received the official approval not only of the Rangers themselves but by the State of Texas. The series led to a CBS spin-off of its own: Wanted: Dead or Alive(1958), which made a TV star out of Steve McQueen.

From there, Culp guested on a number of series dramas: Bonanza (1959), The Rifleman(1958), Rawhide (1959), The Detectives (1959), Ben Casey (1961), The Outer Limits(1963), Naked City (1958) and Combat! (1962). He also starred in the two-part Disney family-styled program “Sammy the Way Out Seal” (1962), which was subsequently released as a feature in Europe. He and Patricia Barry played the hapless parents of precocious Bill Mumy and Michael McGreevey whose “adopted” pet animal unleashes major chaos in their suburban neighborhood.

During this time, Bob began to seek lead and supporting work in films. Despite his co-starring with Cliff RobertsonRod Taylor and the very perky Jane Fonda (as her straight-laced boyfriend) in the sparkling Broadway-based sexcapade Sunday in New York (1963); playing Robertson’s naval mate in the popular John F. Kennedy biopic PT 109 (1963); recreating the legendary “Wild Bill” Hickok in the western tale The Raiders (1963); and heading up the adventurous cast of the Ivan Tors‘ African yarn Rhino! (1964) (which included Harry Guardino and the very fetching British import Shirley Eaton), Culp wasn’t able to make a serious dent in the medium.

TV remained his best arena and gave him more lucrative offers, professionally. It rewarded him quite richly in 1965 with the debonair series lead “Kelly Robinson”, a jet-setting, pro-circuit tennis player who leads a double life as an international secret agent in I Spy (1965). Running three seasons, Culp co-starred with fellow secret agent Bill Cosby, who, as “Alexander Scott”, posed as Culp’s tennis trainer. The role was tailor-made for the suave, Ivy-League-looking actor. He looked effortlessly cool posing in sunglasses amid the posh continental settings and remained handsomely unflinching in the face of danger. It was the first U.S. prime-time network drama to feature an African-American actor in a full-out starring role and the relationship between the two meshed perfectly and charismatically on screen. Both were nominated for acting Emmys in all three of its seasons, with Cosby coming out the victor each time. Filmed on location in such cities as Hong Kong, Acapulco and Tokyo, Culp also wrote and directed certain episodes of the show He also met his third wife, the gorgeous Eurasian actress France Nuyen, while on the set. They married in 1967 but divorced three years later. At this stage, the actor already had four children (by second wife, sometime actress Nancy Ashe).

Following the series’ demise, Culp took on perhaps his most-famous and controversial film role as Natalie Wood‘s husband “Bob” in the titillating but ultimately teasing “flower power” era film Bob & Carol & Ted & Alice (1969), with Elliott Gould and Dyan Cannon as the other-half couple who examine the late 60s “free love” idea of wife-swapping. The film was nominated for four Academy Awards (two went to supporting actors Gould and Cannon). The movie did not reignite Culp’s popularity on the large screen, but it did lead to his rather strange pairing with buxom Raquel Welch in the violent-edged westernHannie Caulder (1971) and a reunion with his I Spy (1965) pal Cosby in the far-more entertaining Hickey & Boggs (1972), which reestablished their great tongue-in-cheek rapport as two weary-eyed private eyes. Culp also directed the film while his real-life wife, actress Sheila Sullivan, played his screen wife as well.

The late 1970s produced a flood of routine mini-movies and B-pictures, the latter including Inside Out (1975), Sky Riders (1976), Breaking Point (1976), The Great Scout & Cathouse Thursday (1976), Flood! (1976), Goldengirl (1979) and Hot Rod (1979). While he remained a sturdy and standard presence in such mini-movies as Houston, We’ve Got a Problem (1974), Spectre (1977) and Calendar Girl Murders (1984), his better TV-movie roles were in A Cold Night’s Death (1973), Outrage (1973), A Cry for Help (1975) and as “Lyle Pettyjohn” in the acclaimed mini-series sequel Roots: The Next Generations (1979).

Bob returned to series TV as stern “CIA Chief Bill Maxwell”, whose job was to protect handsome Robert Redford lookalike William Katt, who starred as an ersatz The Greatest American Hero (1981). The show lasted three seasons. Other series guest spots, both comedic and dramatic, included Hotel (1983), Highway to Heaven (1984), The Golden Girls (1985) and an episode of his old buddy’s show The Cosby Show (1984). He was also a guest murderer in three of the “Columbo” episodes. Although he was relegated to appearing in such film fodder as Turk 182! (1985), Big Bad Mama II (1987) and Pucker Up and Bark Like a Dog (1989), the 1990s offered him one of his best film roles in years as the ill-fated President in the Denzel Washington/Julia Roberts political thriller The Pelican Brief (1993). A year later, he again reteamed with Cosby in the TV-movie I Spy Returns (1994).

Culp became very active in the 1960s Civil Rights movement and later became a prominent face in local civic causes, joining in a lawsuit to cease construction of an elephant exhibit at the Los Angeles Zoo and accusing officials there of mistreatment. In the long run, however, the construction was given the green light. Culp also married a fifth time to Candace Faulkner and, by her, had daughter Samantha Culp in 1982. Older sons Jason Culp (born 1961) and Joseph Culp (born 1963) became actors, while another son, Joshua Culp (born 1958), entered the visual effects field. Daughter Rachel, an outré clothing designer for rock stars, was born in 1964.

In later years, Culp could be seen occasionally as Ray Romano‘s father-in-law on the hugely popular Everybody Loves Raymond (1996). His last film, the family drama The Assignment (2010), was unreleased at the time of his death. On March 24, 2010, the 79-year-old Culp collapsed from an apparent heart attack while walking near the lower entrance to Runyon Canyon Park, a popular hiking area in the Hollywood Hills. Found by a hiker, Culp was transported to a nearby hospital where he died from the head injuries he sustained in the fall. Five grandchildren also survive.

– IMDb Mini Biography By: Gary Brumburgh /

Article on Robert Culp in “Tina Aumont’s Eyes” website:

With his lean frame and serious manner, handsome lead actor Robert Culp often played authority figures, both good and bad. He may not have made the big time, but he did have a run of interesting projects in the Seventies, and although he is best remembered for his television work, he did appear in some first-rate cult features.

Born in California on August 16th 1930, Culp made his screen debut in 1953 and after a clutch of television appearances he won the role of Texas Ranger Hoby Gilman, in the CBS western series ‘Trackdown’, which ran for 2 seasons from 1957 until 1959. Culp’s movie debut came in 1963 when he played Jane Fonda’s ex in the romantic comedy ‘Sunday in New York’, and the western ‘The Raiders’, as ‘Wild Bill’ Hickok. Culp would become a household name in 1965 when he took the role of secret agent Kelly Robinson in the popular series ‘I Spy’, which ran until 1968.

The following year Culp had a lead role when he played Natalie Wood’s husband in Paul Mazursky’s infidelity comedy ‘Bob & Carol & Ted & Alice’ (’69). A commercial hit it remains Robert’s best known performance. Another cult part came a couple of years later when he played bounty hunter Thomas Luther Price in the quirky Raquel Welch western ‘Hannie Caulder’ (’71). A violent and sometimes comical revenge flick, it contains perhaps my favourite Culp performance.

Robert is also remembered fondly for his appearances in three ‘Columbo’ mysteries from 1971, 72 & 73, each time playing the ‘special guest murderer’. He did appear in another episode in 1990, but this time he was the father of a murderer and not the culprit himself. In 1972 Culp directed himself in the rather bleak detective flick ‘Hickey & Boggs’. Playing a private eye in search of a missing girl, it saw him reunited with his ‘I Spy’ co-star Bill Cosby. After making the bizarre horror ‘A Name for Evil’ (’73) with Samantha Eggar, Culp co-starred with Eli Wallach in the excellent TV movie ‘A Cold Night’s Death’ (’73), an atmospheric chiller with a neat twist ending.

1976 was a good year for Robert, with appearances in some interesting and entertaining projects. There was the Lee Marvin sleeper ‘The Great Scout & Cathouse Thursday’, Bob Clark’s interesting drama ‘Breaking Point’, with Bo Svenson, and the pretty good thriller ‘Sky Riders’, playing an industrialist whose wife (Susannah York) and children are kidnapped by terrorists, and it’s up to York’s ex-husband James Coburn to rescue them. A small role in another James Coburn film followed with Joseph Sargent’s entertaining science-fiction drama ‘Goldengirl’ (’79), which had Susan Anton as a hormone injected Olympic hopeful.

Robert fell out of fashion in the 1980’s and so concentrated largely on television work. From 1981 until 1983 he played FBI Agent Bill Maxwell in the series ‘The Greatest American Hero’, which had William Katt as a schoolteacher turned superhero. A return to movies came in 1987 when he co-starred with Angie Dickinson in the exploitation sequel ‘Big Bad Mama II’. A video rental favourite followed with the Michael Biehn sci-fi thriller ‘Timebomb’ (’91), a watchable actioner with a good supporting cast. Robert’s later jobs included much voice-over work including some for popular video games, although he did have a good recurring role in the TV hit ‘Everybody Loves Raymond’. Culp’s final appearance came in the 2010 Adam Baldwin feature ‘The Assignment’, a decent coming-of-age drama with an air of mystery.

Married five times, Robert Culp died in California on March 24th 2010, aged 79. A reliable and very talented actor, he always took his roles seriously no matter how big or small the part. He lent gravitas to some lesser films and worked well in both comedy and drama. The mark of a true professional.

Favourite Movie: Bob & Carol & Ted & Alice
Favourite Performance: Hannie Caulder

The above article can also be accessed onliue here.

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