Hollywood Actors
Peggy Ann Garner
Peggy Ann Garner was a brilliant child actress of Hollywood movies of the 1940’s. She is especially remembered as the child “Jane Eyre” in 1944 and as the lead in “A Tree Grows in Brooklyn”. She made a few movies as an adult including “The Black Widow” in 1954. She died in 1984 at the age of 52.
Dinah Shore
Dinah Shore was one of America’s most popular singers during the 1940’s and 50’s. In the 1970’s she was a very famous TVhost. She did too make some movies such as “Up In Arms” in 1944 opposite Danny Kaye and “Follow the Boys”. She was born in 1916 in Tennessee and died in Beverly Hills in 1998.
Dick Vosburgh’s “Independent” obituary:
A SINGER who lights a fire by rubbing two notes together’. Thus was the 23-year-old Dinah Shore introduced on The Chamber Music Society of Lower Basin Street, a 1940 radio show. The sultry-voiced newcomer from Tennessee went on to become one of the United States’ most enduringly popular recording stars and television personalities.
Her professional singing career began in 1938 at WNEW, a New York radio station, where she sang for nothing. Like Frank Sinatra, who was also singing there gratis, she stepped in whenever an appropriate musical ‘filler’ was needed. Unlike Sinatra (and her rivals Peggy Lee, Doris Day and Ella Fitzgerald), Shore didn’t graduate from a big band; she was turned down by Tommy Dorsey, Benny Goodman and Woody Herman, but made her recording debut in 1939, singing with Xavier Cugat’s orchestra. (On the label she was billed as ‘Dinah Shaw’.) Next came her Chamber Music Society of Lower Basin Street appearances, after which Eddie Cantor signed her for his radio series. Shore was Jewish, and found ideal material in ‘Yes, My Darling Daughter’, adapted from a Yiddish folk song. Introduced on Cantor’s show, it became her first best-
selling record. The first of her nine million-sellers was ‘Blues in the Night’ (1941).
In 1943 she married the actor George Montgomery, then serving in the US Army. They had met at the Hollywood Canteen, where Shore sang regularly. Throughout the war she entertained servicemen all over the world. ‘There’s nothing to compare with the enthusiasm of those GIs,’ she told me in a radio interview. ‘You don’t find that much applause lying around loose for the rest of your life]’
In 1946, shortly after signing with Columbia Records, she was given the novelty number ‘Shoo-Fly Pie and Apple Pan Dowdy’ to record. She found the song ludicrous, especially as shoo-fly pie is a southern dessert and apple pan dowdy a New England one. To her amazement, the record sold 40,000 copies, and was swiftly followed by three million-sellers: ‘The Gypsy’, ‘Doin’ What Comes Natur’lly’ and ‘For Sentimental Reasons’. Billboard proclaimed her Top Female Vocalist of 1946.
Shore’s film career had begun with Thank Your Lucky Stars (1943), in which she played herself. No more demanding were her roles in Follow the Boys and Belle of the Yukon (both 1944). She got to clown a little and sing ‘Tess’s Torch Song’ and ‘Now I Know’ in Danny Kaye’s first film, Up in Arms (also 1944), and never photographed better than in the fictionalised Jerome Kern biopic Till the Clouds Roll By (1946). She lent her voice to two Disney cartoon features, Make Mine Music (1946) and Fun and Fancy Free (1947). Her best screen performance was in Aaron Slick from Punkin Crick (1951), but that musical was so disastrous that she didn’t film again for 26 years.
She hardly needed to; 1951 was also the year she entered television. Variety wrote that she had ‘a charm and ease that established her right off as one of TV’s standout personalities’. A minority view was expressed by Oscar Levant, who found her too effusive. ‘My doctor won’t let me watch Dinah,’ he claimed. ‘I’m a diabetic.’
Her television success (she won 10 Emmy Awards in all) caused a career clash with George Montgomery, and they were divorced in 1962. In 1963 Shore married a building contractor, but the marriage was over by 1964. She retired for five years to devote herself to two children from her first marriage, returning to television in 1970 as a talk show hostess in Dinah’s Place. One of her guests was Burt Reynolds, with whom she began a long, tabloid-titillating relationship.
She was seen again on the cinema screen in the George Burns comedy Oh God] (1977) and in Robert Altman’s HEALTH (1979). From 1989 to 1991 she presented the talk show Conversation with Dinah.
The above “Independent” obituary can also be accessed online here.
Sebastian Stan was born in Romania in 1983. When he was twelve he moved to the U.S. His movies include “The Covenant” and “Black Swan”. On television he stars in “Once Upon A Time”. In the Spring of 2013 he starred on Broadway in “Picnic”
TCM overview:
.Some actors are blessed with good looks, and Sebastian Stan was definitely one of those. However, across numerous roles over his career, which began in the early 2000s, he also showed tremendous emotional and physical range, making him more than just a pretty face. He showed poise in his varied roles, whether kicking back with Captain America and Black Widow, dealing with the drama of privileged teenagers, or bringing The Mad Hatter to modern times. Born in Romania in 1982, Stan lived there with his mother until they moved to New York in 1994. He was taken by the stage at a young age, appearing in numerous school productions before eventually attending Rutgers University’s Mason Gross School of the Arts for acting. While still attending school, Stan got his professional start on “Law & Order” (NBC 1990-2010) in 2003. He also appeared in a few independent films, most notably “Tony n’ Tina’s Wedding” (2004) and “Red Doors” (2005). Graduating from Rutgers, he almost immediately filmed the drama “The Architect” (2006) and the supernatural thriller “The Covenant” (2006). His first breakthrough came with a recurring role on the teen drama “Gossip Girl” (CW 2007-2012), followed by a small role in Jonathan Demme’s family drama “Rachel Getting Married” (2008). He then joined the cast of the short-lived alternate-reality drama “Kings” (NBC 2009). The disappointment of that series’ swift cancellation was tempered by key supporting roles in the critically-acclaimed drama “Black Swan” (2010) and the cult-favorite comedy “Hot Tub Time Machine” (2010). After he appeared as Captain America’s sidekick Bucky Barnes in “Captain America: The First Avenger” (2011), Stan co-starred in the Washington D.C.-based miniseries “Political Animals” (USA 2012) and the film “Gone” (2012). He also appeared as The Mad Hatter in several episodes of the fantasy “Once Upon a Time” (ABC 2011- ) before reprising his role as Bucky in “Captain America: The Winter Soldier” (2014).
The above TCM overview can also be accessed online here.
The lovely Margo was born in 1917 in Mexico City. She achieved fame in the 1930’s in such movies as “Lost Horizon” and “Winterset”. She was married to the actor Eddie Albert and their son was the actor Edward Albert. Margo died in 1985.
IMDB entry:
The daughter of a Spanish surgeon, Maria Margarita Guadalupe Teresa Estella Castilla Bolado y O’Donnell was born in Mexico City. As a niece to famous bandleader Xavier Cugat, she performed with his orchestra from the age of nine as a specialty dancer in nightclubs, and, later, on the Starlight Roof of the hotel Waldorf Astoria in New York. When she was fifteen years old, she was head-hunted by writers Ben Hecht and Charles MacArthur, who saw her dance and cast her in the Claude Rains drama Crime Without Passion (1934). Her debut as Rains’ ex-lover who ends up being murdered by him, was well-received, critic Mordaunt Hall describing her performance as ‘excellent’. Margo was best-known, however, for her role as the slum girl Miriamne Esdras in both stage and screen version of Maxwell Anderson‘s play Winterset (1936) and for her poignant performance as the young girl leaving Shangri-La (to her detriment) in Lost Horizon(1937). She also appeared on Broadway in ‘Masque of Kings’ (1937) and ‘The World We Make’ (1939) and had another small screen role in The Leopard Man (1943).
Margo was married for 39 years to the actor Eddie Albert, residing in Pacific Palisades, California. In later years, she became involved in the public sector, in 1974 becoming Commissioner for Social Services in Los Angeles.
– IMDb Mini Biography By: I.S.Mowis
The above IMDB entry can also be accessed online here.
Tarita was born in 1941 in Bora Bora in the South Pacific. She was discovered and given the lead in “Mutiny on the Bounty” in 1962 while the movie was shot on location in Bora Bora. She became the partner of Marlon Brando for many years. She did not make any other movies.
IMDB entry:
Neville Brand was one of the great evil characters in gangster and Western movies and television series of the 1950’s and 60’s. He was born in 1920 in Iowa. He had a distinguished war record while serving during World War Two. He made his movie debut in the film noir “D.O.A.” in 1950. His best known role was as ‘Al Capone’ in the TV series “The Untouchables”. He also shot and killed the Elvis Presley character in “Love Me Tender” in 1956 and was excellent opposite Burt Lancaster in the 1962 movie “Birdman of Alcatraz”. He starred in the TV series “Laredo” from 1965 until 1967. He died in 1992 at the age of 71.
IMDB entry:
Neville Brand joined the US Army in 1939, bent on a career in the military. It was while he was in the army that he made his acting debut, in Army training films, and this experience apparently changed the direction of his life. Once a civilian again, he used his GI Bill education assistance to study drama with the American Theater Wing and then appeared in several Broadway plays. His film debut was in Port of New York (1949). Among his earliest films was the Oscar-winning Stalag 17 (1953). His heavy features and gravelly voice made Brand a natural tough guy (and he wasn’t just a “movie” tough guy–he was among the most highly decorated American soldiers in World War Ii, fighting in the Pacific against the Japanese). “With this kisser, I knew early in the game I wasn’t going to make the world forget Clark Gable,” he once told a reporter. He played Al Capone in The George Raft Story (1961), The Scarface Mob (1959), and TV’s The Untouchables (1959). Among his other memorable roles are the sympathetic guard inBirdman of Alcatraz (1962) and the representative of rioting convicts in Riot in Cell Block 11 (1954). Perhaps his best-known role was that of the soft-hearted, loud-mouthed, none-too-bright but very effective Texas Ranger Reese Bennett of Backtrack! (1969),Three Guns for Texas (1968), and TV’s Laredo (1965).
– IMDb Mini Biography By: Kat Parsons <fke2d@Virginia.EDU> (qv’s & corrections by A. Nonymous)
The above IMDB entry can also be accessed online here.
Article on Neville Brand in “Tina Aumont’s Eyes” website:
Tough and uncompromising, former military hero Neville Brand brought his hard, threatening manner to a number of westerns, prison flicks and other cult movies. With his gruff voice and intimidating stare, it’s easy to see why he was so often cast in villainous roles, yet he could also be sympathetic and gentle when called for.
Born in Iowa on August 13th, 1920, Brand spent the years 1939 to 1945 in the US Army, where his heroic actions earned him both the Silver Star and Purple Heart. After studying drama, he made his feature debut in the 1950 noir ‘D.O.A.’, where his no-nonsense henchman viciously beats a fatally poisoned Edmond O’Brien. After playing one of William Holden’s fellow prisoners in Billy Wilder’s excellent P.O.W drama ‘Stalag 17′ (’53), he was great as a psychopathic inmate leading a riot, in Don Siegel’s classic prison drama ‘Riot in Cell Block 11′ (’54). In a change of pace role, Brand was likable as a kindhearted Navy Officer, romancing Jan Sterling’s toughened waitress, in the little-known drama ‘Return from the Sea'(’56). Around this time, Neville would also make a number of appearances in various westerns, such as ‘The Man from Alamo’ (’53), with Glenn Ford, and Anthony Mann’s ‘The Tin Star’ (’57), with Henry Fonda and a young Anthony Perkins.
From time to time, Brand wasn’t averse to playing real life characters. He twice played Butch Cassidy, first in 1956’s ‘The Three Outlaws’, and again two years later in ‘Badman’s Country’ (’58). He also made a good Al Capone, on both television (‘The Untouchables’-’59), and screen (‘The George Raft Story’-’61). My favourite performance of Brand’s at this time, was as the kindly prison guard; Bull Ransom, in the superb biopic ‘Birdman of Alcatraz’ (’62).
Television would keep Brand busy in the Sixties, cropping up in the western serials ‘Rawhide’ ‘Wagon Train’ and ‘Laredo’. In 1965 he was a Disney villain paired with Frank Gorshin, in ‘That Darn Cat!’, with Hayley Mills. Another military role came in 1970, when he played Lieutenant Kaminsky in the Pearl Harbor adventure ‘Tora! Tora! Tora! (’70). Back in western mode, other roles around this time included the part of a half-breed Indian in the John Wayne starrer ‘Cahill U.S Marshall’ (’73), and then an outlaw named Choo Choo, in the much maligned ‘The Deadly Trackers’ (’73), with Richard Harris and Rod Taylor. Venturing into exploitation territory, Brand played a rapist in Bert I. Gordon’s violent shocker ‘The Mad Bomber’ (’73), an ok thriller that certainly pulls no punches. He then co-starred with Jim Hutton in the mental institution thriller ‘Psychic Killer’ (’75), and was a crazed hotel owner in the cult yet rather dreary oddity ‘Eaten Alive’ (’76). one of Brand’s last memorable roles was that of Major Groper, in William Peter Blatty’s asylum-based sleeper ‘The Ninth Configuration’ (’80). After appearing in a couple of Greydon Clark’s B-movies (‘Without warning’ & ‘The Return’ – both 1980), Neville’s final movie was the terrible alien sexploiter ‘Evils of the Night’ (’85), with Aldo Ray and the ubiquitous John Carradine.
A talented and versatile actor, Neville Brand died from emphysema, on April 16th 1992, aged 71. In a career lasting 35 years, he was one of cinema’s most memorable tough guys, and has the distinction of killing Elvis Presley in his movie debut!
Favourite Movie: Birdman of Alcatraz
Favourite Performance: Riot in Cell Block 11
Article on Neville Brand can also be accessed online here.
Kaz Garas was born in Lithuania in 1940. He came to the U.S. when he was nine years of age. He made his debut in the TV series “Seaway” in 1966. He came to the U.K. to make the popular series “Strange Report” in 1969. His films include “The Last Safari” with Stewart Granger in 1967. Fropm the 1970’s onwards most of his work has been on American television.
Filmic evidence has often been produced in war trials, but Li Xianglan, who has died aged 94, had the distinction, in 1945, of being prosecuted for treason in China for the fictional roles she had played. Having depicted on screen Chinese women falling for members of the Japanese occupation forces, she read in the newspapers that she was to be publicly executed at Shanghai’s horse track. Then, as if in the plot of a baroque opera – a genre that would have suited her vocally – her family register was smuggled in, within the head of a doll.
The document proved that Li had been born Yamaguchi Yoshiko, the daughter of Japanese parents in Manchuria, a colony of Japan before the second world war. Yamaguchi became one of millions to be repatriated to the main Japanese islands. But her singing talent, fame, and ability with languages was to propel her through careers in journalism and politics.
When their daughter was born, Yamaguchi’s parents had befriended two influential Chinese men; the girl became their goddaughter and so also acquired the Chinese name Li Xianglan. Her musical talent was developed by lessons with professional singers, often Russian. From the age of 13 and using another Chinese name bestowed upon her, Pan Shuhua, she attended high school in Beijing. Here she added to her proficiency in Mandarin – unusual enough among Japanese settlers – by acquiring all the mannerisms of Chinese girls.
In 1934, recruited by a radio station to sing Chinese tunes, she used her adopted name of Li Xianglan, which she retained as her career developed. By the age of 18, she had been recruited by Manchuria Film Productions, or Man’ei, the rapidly expanding film studio in Harbin, Manchuria. The initial idea had been for her to sing, but Man’ei rapidly realised that it could develop her acting and personality to further its transnational aims.
The problem for the commercially minded propagandists at Man’ei was that its early films had little success in China, with films such as China Nights(1940) faring much better in Japan. The three Chinese characters of her stage name rendered into Japanese as Ri Koran, the performer always appeared in a Chinese qipao dress, and her recordings launched a craze for “continental” songs and films. Back in China, the film, where it was not boycotted entirely, caused particular offence by showing the star taking a violent slap from her Japanese admirer as a proof of affection, resulting in marriage in short order.
It was films such as this that were produced as evidence for the prosecution in Shanghai. In reality, virtually no one had seen them, even after the considerable Chinese success of her later film Eternity (1942), from which came her hit song Stop Smoking, about opium.
Up to the end of the war, Shanghai periodicals doted on the persona of Li Xianglan. Li’s Japanese origin was never entirely obscured, even though the star continued to represent China’s young women. Taking daily English and Russian lessons in Shanghai, Li was better equipped than most to deal with the defeat of her native Japan, but being put on trial for her roles seems to have come as a genuine shock.
Back in Tokyo, her fame still lay in her persona as Ri Koran. The script of Desertion at Dawn (1950), initially an adaptation by Akira Kurosawa, went through six major rewrites under occupation censorship. Strongly condemning militarism, it depicted the love of a Japanese soldier for a Chinese “comfort woman”. Its success at the box office prompted further nostalgic musical memories of the empire that were less nuanced as the moral crusade of the occupation had dissolved. But Yamaguchi went on to star in a Kurosawa film, Scandal (1950), which dealt with the media-hounding of an actress.
Yamaguchi travelled to the US that year, taking the first name Shirley. She starred in two Hollywood films, and befriended figures such as Charlie Chaplin, working on the musical soundtrack of Limelight (1952). Her marriage to the American sculptor Noguchi Isamu in 1952 lasted only a few years, and she was later denied entry to the US because of her association with names such as Chaplin.
Her final acting appearances came in some Hong Kong films, apparently lost in a fire. By this time, she had married a Japanese diplomat, Otaka Hiroshi; formally, she kept her married name Otaka Yoshiko after his death in 2001.
To later generations in the 1960s and 70s she was known as a television journalist on Asian subjects, often focusing on Palestine and women’s issues. She pursued these concerns as a representative of the upper house of the Japanese legislative body, the Diet, for 18 years.
A musical of her career ran in Tokyo for more than 20 years. Her voice may yet be her most enduring legacy. Recordings from Russia, seemingly acquired and treasured by postwar Red Army soldiers, can be heard on YouTube, and testify to a voice that hits every note in the middle, without a hint of vibrato.
• Yoshiko Yamaguchi (Li Xianglan), actor, journalist and politician, born 12 February 1920; died 7 September 2014
Anjanette Comer was born in Dawson, Texas in 1939. She hadsome major roles in Hollywood movies of the 1960’s. Her credits include “The Loved One” in 1965, “The Apaloosa” opposite Marlon Brando and “Guns for San Sebastian” opposite Anthony Quinn.
TCM overview:
A pretty, dark-haired actress who often played roles of women not in control of the fraught environment around them, Anjanette Comer broke into feature films in the 1960s, added TV-movies to her repertoire in the 70s, took a sojourn from the cameras in the 80s and returned in supporting parts in the 90s.
Comer’s first feature was the comedy “Quick Before It Melts” (1965), in which she played a woman brought to an Antarctica research station. That same year, she was the ditzy beauty Robert Morse lusts after in Tony Richardson’s “The Loved One”. She had another good shot as Marlon Brando’s cohort in “The Appaloosa” (1966), but her follow-up in “Banning” (1967), was a barren sturm und drang that did nothing to promote her career. Comer was burdened by a ridiculous script in “Guns for San Sebastian” (1968), in which she supported the zealous Anthony Quinn. In 1970, she played the semi-pro hooker who lures former athlete James Caan from his family in the dull “Run, Rabbit”. Feature roles came less regularly in the 70s. Comer was wife to Public Enemy Number One “Lepke” (1975), played by Tony Curtis and was in the disastrous “Fire Sale” (1977). She appeared in the direct-to-video fantasy “Netherworld” (1992) and returned to the big screen as Peter Gallagher’s mother in Steven Soderbergh’s noirish “The Underneath” (1995).
While Comer had some TV experience in the 60s, and guest starred on the 1969 pilot for the ABC series “The Young Lawyers”, her work on the small screen began in earnest with a burst of TV-movies in the 70s. Her first was “Firechasers” (1970), and in 1971, she played one of the women on a resort island stalked by an escapee from a mental institution in “Five Desperate Women” (ABC). She was also in jeopardy in “The Deadly Hunt” (CBS, 1971), in which Comer was in the grips of two paid assassins and stuck in the center of a forest fire at the same time. She was the wife of Joseph Campanella stuck above a fire in a skyscraper in “Terror on the 40th Floor” (NBC, 1974) and the abducted wife of Vincent Edwards in “Death Stalk” (NBC, 1975). Comer was a woman in jeopardy long before than genre became a mainstay of TV longforms. After “The Long Summer of George Adams” (NBC, 1982), Comer was little seen on either TV or in the movies, and then reappeared on the two-part season opener of “Jake and the Fat Man” (CBS, 1991). She has since resumed her work in TV longforms in supporting roles. She played Beulah, in the miniseries “Larry McMurtry’s Streets of Laredo” (CBS, 1995) and was featured in “Deadly Family Secrets” (NBC, 1995).
The above TCM overview can also be accessed online here.
Anyone who knows me are aware that I am a bit of a movie buff. Over the past few years I have been collecting signed photographs of my favourite actors. Since I like movies so much there are many actors whose work I like.